Themes

OOC

Allow me to share some of my vision for the themes and feel of Edgewar. I try to tell a particular kind of story. I think a lot about theme.

Key Themes

1. Belief and faith
2. Heroism and risk
3. Teamwork

Key Elements

1. Devils and demons
2. Fringe science
3. Gods, devotion, and religions
4. Interdimensional adventuring and dungeoneering
5. Magic and the paranormal
6. Nanites (including grey goo)
7. Organized crime (including gangs) and corruption
8. Outer space (including vacuum)
9. Physical transformation (e.g., a human turning into an orc) (not necessarily body horror)
10. Robots, androids, and artificial intelligence
11. Secret societies and conspiracies (including malign corporations)
12. Slavery
13. Spirits and souls (e.g., death, afterlifes)
14. Undead
15. War machines (e.g., colossal stone creatures)
16. War profiteering (e.g., arms sales, mercenaries)

Occasional/Possible Elements

1. Abuse (e.g., child abuse, domestic violence)
2. Addiction (especially substance addiction)
3. Animals in danger or harmed
4. Body horror (e.g., radical physical transformation)
5. Bugs (including spiders, swarms, and human-size or larger bugs)
6. Children (birth to 12) in danger or harmed
7. Children (teenagers) in danger or harmed
8. Devils and demons
9. Disability (e.g., lost limb)
10. Extreme weather or natural disasters (e.g., earthquakes, floods, hurricanes, tornadoes)
11. Family traumas (e.g., loss of a parent)
12. Fires
13. Historic traumas (e.g., races that previously endured long-term slavery)
14. Insanity (e.g., psychopathy)
15. Law enforcement (e.g., police, trials)
16. LGBTQ2IA+ representation (e.g., a gay NPC) and discrimination
17. Mental illness (e.g., anxiety, depression) (excluding insanity)
18. Neurodiversity (e.g., autism)
19. Nuclear technology analogs (e.g., magitec reactors)
20. Piracy
21. Racism
22. Refugees (including aiding refugees)
23. Reptiles (e.g., lizards, snakes)
24. Sexism, misogyny, or women in danger or harmed
25. Sexual assault
26. Slavery (including freeing slaves)
27. Street crime (including drugs and prostitution)
28. Terrorism
29. Torture
30. Undead
31. Vermin (e.g., rats)
32. War machines (e.g., colossal stone creatures)

The Edge on Earth

On Earth, the story of the Edge is very cyberpunk (like Shadowrun and The Secret World). This Edge is a secret to most people and organizations. The line between arcane magic and experimental technology is blurry.

Gempunk

Beyond Earth, especially in Sigil and the Outer Planes, the existence of magic and paranormal beings isn't a secret. Rather, it's a common experience even for ordinary residents. Beyond Earth, the story of Edgewar is more "gempunk."

The attitude and feel of cyberpunk comes partly from punk: "short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels." (Wikipedia) Punk is a strong fit with how many adventurers and parties of adventurers behave, including upsetting the status quo accidentally or on purpose. Being Unbound is very punk.

Cyberpunk adds shadowy powers like corporations and secret agencies, powers that have much more influence than basic government. And of course cyberpunk adds cyber tech: technology verging on magic, physical enhancements, artificial intelligence, killer robots, nanotech, etc.

Now consider steampunk. Steampunk keeps a lot of cyberpunk's tropes, but the shadowy powers tend to be proto-corporations like the East India Company (or a similar sprawling mercantile company). The tech is ostensibly steam, although often with delightfully-unrealistic elements like miniaturization and physical enhancements (e.g., steam-driven limbs).

Gempunk builds on all of that, but it mixes magic alongside or in place of cyber tech or steam tech. Gempunk includes magitech: machinery, automatons, or physical enhancements driven by magic. Magitec has long been part of Edgewar, including Adintech like the metabiotic crystals that Changed several members of the team. Gempunk is a strong part of the Artificer class and Eberron in general. (Edgewar is a kinda like Eberron plus 100 years.)

Imagining Sigil

Chicago and Earth remain an important location in the Edgewar story, for reasons that will continue to become clear. For one thing, Chicago is where the Axis of Elusive Truths intersects Earth.

Sigil is also an important location. There aren't a lot of perfect touchstones for Sigil, but here's some starting places. The original creators of Planescape (the published setting that includes Sigil) used the tagline "philosophers with clubs." Beliefs and values have tangible results in the Outer Planes, like a corrupt city literally being pulled into hell.

In customizing Sigil and telling Sigil stories, here are some of my inspirations:

• Coruscant (from Star Wars): a city at the center of everything
• Citadel Station (from Mass Effect): a city at the center of everything, and the residents aren't actually in control
• Dark City: for the darker parts of Sigil, and spatial weirdness and belief effects
• Mad Max Beyond Thunderdome: for the gonzo/punk culture and the emphasis on trade
• Borderlands: for the gonzo/punk culture with teleporters and experimental weapons, and the emphasis on corporations
• Mortal Engines (both the book and the movie): for the steampunk/gempunk feel and gigantomania in design
• Inception: for spatial weirdness and for belief effects as everyday occurrences
• and most especially The Fifth Element: for the beautiful chaos of many different species and their cultures mashed together, yet it still has the mundane nuisances of our lives (e.g., drivers' licenses, advertising)

Make It Personal

The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here – it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide from under it with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way, you stand a better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference - the only difference in their eyes - between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that it’s nothing personal. Well, fuck them. Make it personal. -Richard K. Morgan, Altered Carbon